{"id":5390,"date":"2025-12-11T08:35:29","date_gmt":"2025-12-11T08:35:29","guid":{"rendered":"https:\/\/www.aiacaonline.org\/craftkatha-pop-up\/?page_id=5390"},"modified":"2025-12-11T08:41:28","modified_gmt":"2025-12-11T08:41:28","slug":"bronze-status-of-thanjavur","status":"publish","type":"page","link":"https:\/\/www.aiacaonline.org\/craftkatha-pop-up\/bronze-status-of-thanjavur\/","title":{"rendered":"Bronze status of Thanjavur"},"content":{"rendered":"\t\t
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Craft Name: Bronze status of Tanjore<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Region: Tamil Nadu<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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CRAFT
\nHISTORY<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tThanjavur bronze casting is one of India\u2019s oldest metal crafts, dating back to the Chola period (9th\u201313th century). The Cholas perfected the lost-wax casting technique (Cire Perdue) to create iconic bronzes of Nataraja, Parvati, Vishnu, and various temple deities. These bronzes were revered for their perfect proportions, fluidity, and spiritual symbolism. Traditionally cast by Sthapathis, who follow ancient Shilpa Shastra guidelines, the craft continued through temple patronage and royal workshops. \t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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WHAT\nMAKES IT\nUNIQUE:<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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    \n
  • Created using lost-wax casting<\/li>\n
  • Strict sacred proportions from Shilpa Shastra<\/li>\n
  • Smooth, glowing bronze finish<\/li>\n
  • Deep spiritual and ritual significance<\/li>\n<\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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    \"\"<\/figure>

    Received a
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    COLOURS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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    • Traditional palettes include rich jewel tones, maroon, emerald, navy, royal blue, paired with gold or silver zari.<\/li>
    • How much time does it take to make a product, and how many artisans are involved in making this craft? A Zardozi piece takes 3\u201320 days, involving 2\u20135 skilled karigars<\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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      MOTIFS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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      • Hindu deities<\/li>
      • Iconographic elements<\/li>
      • Temple-inspired features<\/li>
      • Mythological scenes<\/li>
      • Floral & geometric borders<\/li><\/ul>

        How much time does it take to make a product, and how many artisans are involved in the process?
        <\/strong> A Thanjavur bronze idol takes 7\u201330 days, crafted by 2\u20134 Sthapathi artisans<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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        RAW MATERIAL<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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          \n
        • Panchaloha alloy<\/strong> (traditional five-metal mix)<\/strong><\/li>\n
        • Beeswax<\/strong> and resin<\/strong> (for creating the detailed wax model)<\/strong><\/li>\n
        • Clay mixture<\/strong> from the Kaveri river basin (for the outer mold)<\/strong><\/li>\n
        • Rice husk ash<\/strong> (strengthens the clay mold)<\/strong><\/li>\n
        • Hand tools<\/strong> such as chisels, files, metal scrapers<\/strong><\/li>\n
        • Natural polishing materials<\/strong> (fine sand, oil, cloth)<\/strong><\/li>\n<\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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          CRAFT MAKING PROCESS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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          \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"39-Craft-Making\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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          HOW TO IDENTIFY GENUINE AND AUTHENTIC CRAFT<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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            \n
          • Seamless form with no casting joints\n <\/strong><\/li>\n
          • Sacred iconographic proportions\n <\/li>\n<\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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              \n
            • Warm bronze glow, not too shiny\n <\/li>\n
            • Hand-carved detailing, not molded<\/li>\n<\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

              Craft Name: Bronze status of Tanjore Region: Tamil Nadu CRAFT HISTORY Thanjavur bronze casting is one of India\u2019s oldest metal crafts, dating back to the Chola period (9th\u201313th century). The Cholas perfected the lost-wax casting technique (Cire Perdue) to create iconic bronzes of Nataraja, Parvati, Vishnu, and various temple deities. These bronzes were revered for […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-5390","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.aiacaonline.org\/craftkatha-pop-up\/wp-json\/wp\/v2\/pages\/5390","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.aiacaonline.org\/craftkatha-pop-up\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.aiacaonline.org\/craftkatha-pop-up\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.aiacaonline.org\/craftkatha-pop-up\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.aiacaonline.org\/craftkatha-pop-up\/wp-json\/wp\/v2\/comments?post=5390"}],"version-history":[{"count":10,"href":"https:\/\/www.aiacaonline.org\/craftkatha-pop-up\/wp-json\/wp\/v2\/pages\/5390\/revisions"}],"predecessor-version":[{"id":5744,"href":"https:\/\/www.aiacaonline.org\/craftkatha-pop-up\/wp-json\/wp\/v2\/pages\/5390\/revisions\/5744"}],"wp:attachment":[{"href":"https:\/\/www.aiacaonline.org\/craftkatha-pop-up\/wp-json\/wp\/v2\/media?parent=5390"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}