{"id":4867,"date":"2025-12-11T01:07:41","date_gmt":"2025-12-11T01:07:41","guid":{"rendered":"https:\/\/www.aiacaonline.org\/craftkatha-pop-up\/?page_id=4867"},"modified":"2025-12-11T13:06:13","modified_gmt":"2025-12-11T13:06:13","slug":"papier-mache-kashmir","status":"publish","type":"page","link":"https:\/\/www.aiacaonline.org\/craftkatha-pop-up\/papier-mache-kashmir\/","title":{"rendered":"Papier Mache Kashmir"},"content":{"rendered":"\t\t
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Craft Name: Kashmiri Papier M\u00e2ch\u00e9<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Region: Srinagar, Kashmir (Jammu & Kashmir)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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CRAFT
\nHISTORY<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tPapier m\u00e2ch\u00e9 in Kashmir locally known as \u201cKar-e-Qalamdani\u201d traces its origins to the 14th century when the Persian mystic Mir Syed Ali Hamdani introduced Central Asian arts like paper crafting and naqashi. Kashmiri artisans adapted the technique using local materials and aesthetics. Over centuries, it became a symbol of Kashmiri artistry, especially during the Mughal and Afghan periods, when decorative boxes, bowls, Quran stands, and house d\u00e9cor items flourished.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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WHAT\nMAKES IT\nUNIQUE:<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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    \n
  • The craft stands today as a hallmark of Kashmir’s cultural identity and intricate hand-painting traditions. <\/li>\n
  • Uses Saji paper, rice glue<\/strong>, and natural pigments<\/strong> in traditional methods. <\/li>\n
  • Received GI Tag recognition<\/strong> for authenticity and heritage value.<\/li>\n<\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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    \"\"<\/figure>

    Received a
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    COLOURS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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    • Deep jewel tones: lapis blue, emerald, crimson, gold, black<\/li>
    • Gold outlining using tilla<\/strong> (traditional gold detailing)<\/li>
    • Subtle pastel shades in contemporary work<\/li><\/ul>

      How much time does it take to make a product, and how many artisans are involved in the process?<\/strong>
      A Kashmiri papier-mache product takes 7\u201320 days, crafted by 2\u20134 artisans<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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      MOTIFS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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        \n
      • Hazara (thousand-flower) patterns <\/li>\n
      • Shikaras, chinar leaves, lotus ponds<\/li>\n
      • Arabesques, geometric patterns<\/li>\n
      • Persian-inspired floral vines<\/li>\n
      • Birds, animals, and miniature scenes<\/li>\n<\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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        RAW MATERIAL<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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          \n
        • Waste paper (newspapers, cardboard)<\/li>\n
        • Rice glue (L\u00e9’i) or natural adhesives<\/li>\n
        • Cloth scraps<\/li>\n
        • Chalk powder<\/li>\n
        • Colours: natural pigments or acrylics<\/li>\n
        • Varnish \/ lacquer<\/li>\n
        • Gold foil or gold paint <\/li>\n<\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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          CRAFT MAKING PROCESS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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          \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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          HOW TO IDENTIFY GENUINE AND AUTHENTIC CRAFT<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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          • Hand-Painted Detailing: <\/strong>It shows extremely fine brushwork, each flower and line is distinct, not printed. <\/li>\n
          • Lightweight Base: <\/strong>Authentic products are lightweight but sturdy due to hand-layered pulp. <\/li>\n<\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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            • Motif Quality: <\/strong>Look for traditional Naqashi motifs: chinar leaves, hazara, lotus, birds, Persian vines. <\/li>\n
            • Gold Highlights: <\/strong>Real tilla work has a subtle shine, not the glittery finish of imitation products.<\/li>\n<\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

              Craft Name: Kashmiri Papier M\u00e2ch\u00e9 Region: Srinagar, Kashmir (Jammu & Kashmir) CRAFT HISTORY Papier m\u00e2ch\u00e9 in Kashmir locally known as \u201cKar-e-Qalamdani\u201d traces its origins to the 14th century when the Persian mystic Mir Syed Ali Hamdani introduced Central Asian arts like paper crafting and naqashi. Kashmiri artisans adapted the technique using local materials and aesthetics. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-4867","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.aiacaonline.org\/craftkatha-pop-up\/wp-json\/wp\/v2\/pages\/4867","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.aiacaonline.org\/craftkatha-pop-up\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.aiacaonline.org\/craftkatha-pop-up\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.aiacaonline.org\/craftkatha-pop-up\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.aiacaonline.org\/craftkatha-pop-up\/wp-json\/wp\/v2\/comments?post=4867"}],"version-history":[{"count":19,"href":"https:\/\/www.aiacaonline.org\/craftkatha-pop-up\/wp-json\/wp\/v2\/pages\/4867\/revisions"}],"predecessor-version":[{"id":6368,"href":"https:\/\/www.aiacaonline.org\/craftkatha-pop-up\/wp-json\/wp\/v2\/pages\/4867\/revisions\/6368"}],"wp:attachment":[{"href":"https:\/\/www.aiacaonline.org\/craftkatha-pop-up\/wp-json\/wp\/v2\/media?parent=4867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}